I am a hybrid artist — where code hits matter, there the virtual meets the physical.


After the idea, my process begins digitally — through photography, custom-built algorithms, AI and software — and unfolds into fine art prints and physical installations. Flow, transformation, and motion are deeply woven into the visual language of my practice. I am drawn to processes that shift, evolve, and dissolve — allowing the works to carry a sense of becoming rather than being fixed. 

JW3 aka Jonas Wyssen




    

/exhibitions

Expos

2025 Die Weiten Welten, Walliser Kantonsmuseum, Sion (VS)
2025 Nouvelle Génération, Manoir, Martigny (VS)
2025 Kollektiv-Ausstellung, Galerie Karin Wunderlin (ZH)
2025 Nature's Impact, Kunstraum Bern Bümpliz (BE)
2025 Neue Generation, Galerie zur Schützenlaube, Visp (VS)
2024 Soul Copy (Solo), Kunstraum Dreiviertel, Bern (BE)
2024 Mémoires Virtuelles (Solo), Les Dilettantes, Sion (VS)
2024 PhotoVideoExpo, Schloss Leuk (VS)
2023 Vertikale, Studio Naegeli, Gstaad (BE)
2023 Art Salon, Blockchain Art Gallery, Zurich (ZH)
2023 Wyssen/Wernli, Galerie zur Schützenlaube, Visp (VS)
2023 Deus Ex Machina, Quartier General, La Chaux-de-Fonds (NE)
2023 DaLà 50 Years Visarte, La Bâtiaz Martigny (VS)
2023 Photo Video Expo, Schloss Leuk  (VS)
2023 Publication: AI & Truth, Horizonte Magazine (CH)
2022 Da Vinci Robot, 37° Stiftung Schloss Leuk (VS)
2022 Exhibition, Tonic Festival, Zurich (ZH)



Talks

2025 An AI Art Story , PRISM Monthey (VS en)
2025 Looking AI in the Eye, Stadtgemeinde Thun (BE de)
2024 Kunst & KI, KKThun (BE de)
2024 KI vs. Kollegium, Kollegium Brig (VS de)
2024 Über Sinn und Unsinn von KI, Kultur Wallis (VS de)
2023 About sense & nonsense of NFTs, ArtSalon, Zurich (ZH en)
2022 Looking the AI in the Eye, Tonic Festival, Zurich (ZH en)
2022 Über Sinn & Unsinn von NFTs, Brig (VS de)
2022 About sense & nonsense of NFTs, Mediathéque Sion (VS en)
2022 Branding in der Kultur, Zeughaus Kultur Brig (VS de)
2021 Followers of the Flow, BergBuchBrig (VS de)
2020 Followers of the Flow, Waveup, Wädenswil (ZH de)

/hardrock


2023—2025
Situated between digital art and sculpture, Jonas Wyssen’s project explores new ways of representing the world around us. By using one of the key tools of the 21st century — the smartphone — Wyssen offers the audience an interactive experience centered around the marble of Saillon, a material deeply rooted in the local region. Dematerializing stone, digitizing nature — here, art and craftsmanship merge with pixels and new technologies.

Piece: 100x100x50cm, Marble (Saillon VS), Velour-covered hemisphere, QR-Code, Animation (NFT)Text: Julia Taramarcaz, Manoir Martigny
Photos: Pedro Rodrigues + Sara Lorentemuedra, Manoir

/singularity


2023/2025
In a black hole, the singularity is the point where the laws of physics are turned upside down. In the realm of artificial intelligence, the singularity marks the moment when machine intelligence surpasses that of humans. Here, the viewer finds themselves reflected in a void—suspended, as if turned on their head.

Materials: Fiberglass, acrylic hemisphere, 3 rock crystals (Bergkristall VS), wooden frame
Dimensions: 80 × 80 × 20 cm


/mémoires—virtuelles


2024
Here, digital memories merge with technological transformation. Fleeting moments become timeless reflections. These images dance between the virtual and the real, the transient and the eternal. Mémoires Virtuelles are based on digital photographs, altered through an algorithmic process of forgetting and dreaming. Through the foliage, we glimpse the surface of the lake—clouds and shoreline mirrored within. 

Technique: Digital photography, transformed through custom-coded algorithms, screenshot of animation. archival pigment print on aquarelle paper (edition of 3)
Virtually exhibited in: AI.geria – an AI-generated scenography


/stardust


2023
These stones, found in the Valais region (Allalin Gabbro, Adular, Aragonite), are set into a hemisphere covered with synthetic velour. The abbreviated titles, MRS, TTN (originally Mars, Titan) alludes to a fictional connection between the materials and outer space exploration.
A QR code on the work gives access to a visualization (NFT) where a photograph of the stone dissolves into stardust. 
The piece weaves together cosmic origins, interstellar fiction, and the material presence of the here and now.

MRS IV, II, & TTN I
Commissioned by: Fonds cantonal d’art contemporain
Exhibited at: Walliser Kantonsmuseum – Die weiten Welten / The Vast Worlds

JW3