I am a hybrid artist exploring the relationship between digital technology and physical reality.

Jonas Wyssen aka JW3 is a swiss Artits exploring the relationship between nature and technology through physical and digital connections. His process begins digitally — through photography, custom-built algorithms, AI and software — and unfolds into series of fine art prints and physical installations. Flow, transformation, and motion are deeply woven into the visual language of my practice. «I am drawn to processes that shift, evolve, and dissolve — allowing the works to carry a sense of becoming rather than being fixed.»

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2026 Bundesverwaltungsgericht, St. Gallen (SG)
2026 The Circle, Zürich (ZH)

Expositions

2026 Studio Naegeli & The Mansard, Gstaad (BE)
2025 Die Weiten Räume, Walliser Kantonsmuseum, Sion (VS)
2025 Nouvelle Génération, Manoir, Martigny (VS)
2025 Nature's Impact, Kunstraum Bern Bümpliz (BE)
2025 Neue Generation, Schützenlaube, Kunstverein, Visp (VS)
2024 Soul Copy (Solo), Kunstraum Dreiviertel, Bern (BE)
2024 Mémoires Virtuelles (First Solo), Les Dilettantes, Sion (VS)
2024 PhotoVideoExpo, Schloss Leuk (VS)
2023 Vertikale, Studio Naegeli, Gstaad (BE)
2023 Art Salon, Blockchain Art Gallery, Zurich (ZH)
2023 Wyssen/Wernli, Schützenlaube, Kunstverein, Visp (VS)
2023 Deus Ex Machina, Quartier General, La Chaux-de-Fonds (NE)
2023 DaLà 50 Years Visarte, La Bâtiaz Manoir Martigny (VS)
2023 Photo Video Expo, Schloss Leuk (VS)
2023 Publication: AI & Truth, Horizonte Magazine (CH)
2022 37°, Da Vinci Robot, Stiftung Schloss Leuk (VS)
2022 Exhibition, Tonic Festival, Zurich (ZH)

Keynotes & Talks

2025 An AI Art Story , PRISM Monthey (VS en)
2025 Looking AI in the Eye, Stadtgemeinde Thun (BE de)
2024 Kunst & KI, KKThun (BE de)
2024 KI vs. Kollegium, Kollegium Brig (VS de)
2024 Über Sinn und Unsinn von KI, Kultur Wallis (VS de)
2023 About sense & nonsense of NFTs, ArtSalon, Zurich (ZH en)
2022 Looking the AI in the Eye, Tonic Festival, Zurich (ZH en)
2022 Über Sinn & Unsinn von NFTs, Brig (VS de)
2022 About sense & nonsense of NFTs, Mediathéque Sion (VS en)
2022 Branding in der Kultur, Zeughaus Kultur Brig (VS de)
2021 Followers of the Flow, BergBuchBrig (VS de)
2020 Followers of the Flow, Waveup, Wädenswil (ZH de)

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Nr. 1/∞

Catalogue of Jonas Wyssen
2021—2025

Price

CHF 50.–

Print

Embossed sreenprinted hardcover,
open binding, offset-print

Pages

72

Dimensions

22 x 22 cm

Year of origin

2026

Edition

500 signed copies

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Glitch MNT

Price

CHF 400.–

Technique

Screenshot of a programmed error
(generative artwork)

Print

Sublimation print on acrylic block
Signed & numbered on the back

Limited Edition

12

Dimensions

20 x 20 x 4 cm
Year of origin

2023

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Jonas Wyssen
aka JW3

JW3 Atelier
Route de Savièse 11
1965 Savièse

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Imprint / Impressum

JW3 GmbH
Route de Lentine 2a
1950 Sion
Switzerland

Alternative studio address:
JW3 Studio
Route de Savièse 11
1965 Savièse
Switzerland

Owner / Responsible person:
Jonas Wyssen

Email: info@jw3.ch

Handelsregister / UID: CHE-110.228.634

Copyright © 2023–2026 Jonas Wyssen / JW3 GmbH. All rights reserved.

All content on this website (images, texts, videos, graphics, artworks, design) is protected by copyright law and may not be reproduced, distributed, modified or used commercially without explicit prior written permission.

Photodocumentation of the Artworks: © Pedro Rodrigues

For licensing inquiries, press requests or usage permissions please contact: info@jw3.ch

Artist Statement

I am a Swiss-based artist working at the intersection of nature and technology, morphing the lines between man and machine. My artistic practice explores the tension between the genuine and its reproduction, often guided by a state I describe as flow momentum – an intuitive process of emergence, shaped more by rhythm than control.

After completing a polygraph apprenticeship in 2003 at a large printing house, I founded my own graphic design studio. Inspired by Andy Warhol – who opened the field of fine art to designers – I understood early that my practice would not revolve around the idea of the “unique.” Warhol's embrace of seriality and reproduction liberated my thinking: the artwork is not an object, it’s an idea set in motion.

Following further studies in Interaction Design, I became a freelance designer for renowned agencies and co-founded a digital art start-up. These years deepened my understanding of emerging technologies, systems thinking, and human-machine interaction. Despite external success, I faced a deep internal dissonance – until a pituitary tumor, discovered in late 2021, brought me back to my artistic core. This rupture sparked a profound creative outpouring, documented across thousends of notes & photographs.

Today, my works arise without commission or client. They emerge from a principle I call stow & let go, first articulated in my artistic manifesto Followers of the Flow (2020). It is a method of intuitive accumulation and sudden release – rooted in the idea that creativity is not something we control, but something that moves through us.

In recent years, my inspiration has increasingly drawn from the latest developments in science – from quantum physics to artificial intelligence and neuroscience. I consider contemporary scientific knowledge not as content to be illustrated, but as a conceptual reservoir that reshapes our perception of reality. I translate these shifts into visual forms that challenge the boundaries of perception, presence, and materiality.

My current practice focuses on the creation of fine-art prints, algorithmic images, and hybrid installations. These works are not only visual fields but experiential spaces that invite the viewer into altered states of awareness – subtle, contemplative, and resonant with the technological condition of our time.

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